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20:16 |
01 |
Highway To Hell |
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03:26 |
02 |
Girls Got Rhythm |
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03:23 |
03 |
Walk All Over You |
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05:08 |
04 |
Touch Too Much |
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04:24 |
05 |
Beating Around The Bush |
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03:55 |
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20:44 |
06 |
Shot Down In Flames |
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03:21 |
07 |
Get It Hot |
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02:24 |
08 |
If You Want Blood (You've Got It) |
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04:32 |
09 |
Love Hungry Man |
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04:14 |
10 |
Night Prowler |
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06:13 |
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Country |
Australia |
Cat. Number |
ATL 50 628 |
Packaging |
Long box |
Spars |
N/A |
Sound |
Stereo |
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Artwork By [Direction] - Bob Defrin
Bass - Cliff Williams
Drums - Phil Rudd
Engineer [Recording] - Mark Dearney*
Guitar - Angus Young , Malcolm Young
Mixed By [Assistant Engineer] - Kevin Dallimore
Mixed By [Engineer] - Tony Platt
Photography - Jim Houghton
Producer - Robert John Lange
Vocals - Bon Scott
Written-By - Young, Young & Scott*
Recorded at Roundhouse Studios, London.
Mixed at Basing Street Studios, London.
Originally Released as Atlantic #19244 on July 30, 1979 Given that Bon Scott's hard-partying, sex-booze-and-brawls lifestyle tragically caught up with him some six months after Highway to Hell was released, the album-opening title track - one of hard rock's all-time classics - now takes on an eerie resonance. It's not just a snotty, nihilistic party anthem, but a moment of unrepentant self-recognition from a rowdy ruffian who, for better or worse, exulted in what he was. The rest of the songs on Highway to Hell don't lend themselves to any deep readings, but of course, that's not the point. Highway to Hell distilled all the virtues of AC/DC's signature minimalism - loud, simple, pounding riffs and grooving backbeats - into the tightest batch of songs the group had written to that point, barreling along at a take-no-prisoners rate and producing a handful of gems ("Girl's Got Rhythm," "If You Want Blood (You've Got It)") along the way. Highway to Hell is not only a fitting epitaph for Bon Scott, it's also a classic rock & roll album.